
Ozarks At Large


- 9:30- Red Oak Park (Carlsbad/Boxley/Bridgeport Subdivision area off Wedington)
- 10:15- The Links at Wedington (at the roundabout in the middle of the complex)
- 11:00- Woodway Apartments (by the complex pool)
- 11:45- Crofton Manor off Mt. Comfort (on Hatterly Street)
- 12:10- Washington Plaza Apartments (Under a grove of trees towards the back entrance of the complex)

The Arkansas Lottery Commission reports the second straight year of declining revenue for the state's scholarship lottery. Rogers Public Schools officials remove a rule that implied a requirement for end of semester exams. And two Arkansas attorneys file a motion in federal court for a summary judgement in regards to the state's ban on same-sex marriages.


The Center for Business & Economic Research at the UA released a study on the economic impact of legalizing retail alcohol sales in three dry counties in Arkansas.


Latest Edition of Ozarks at Large
Thursday, July 17, 2014
On this edition of Ozarks, we speak with the trumpeter of The Sons of Brasil. The Kansas City jazz band plays nothing but Latin music and will be in NWA this weekend. Plus, we join a program in progress as it encourages youngsters to read over the summer.
Roby Brock from our content partner www.talkbusiness.net speaks with Democrat Mike Ross about his decision to leave Congress.
“Arrested Development” by David Schartz
One of the longest-standing Hispanic civil rights groups in Arkansas is hosting its annual conference this Friday at the Jones Center in Springdale.
For more information: www.hwoa.org.
First Christian Church in Fayetteville will sponsor the local edition of Congo Awareness Week Oct. 16-22.
For more information: 442-4674 or www.fccfayetteville.org.
“Magosa” by Amadou and Mariam
Ballroom dance lessons at Scarpino are among Becca's entertainment picks for the evening.
John Jeter, music director and conductor of the Fort Smith Symphony, offers a preview of the group's Oct. 22 concert.
For more information: www.fortsmithsymphony.org.
“Music Box” by Philip Glass