Becca says movie screenings will help celebrate Black Music Month this year.
Ozarks At Large
Ahead on Ozarks, a business degree from the University of Arkansas without ever seeing Old Main or setting foot on senior walk: an online degree is now a reality. Plus, we get an update on updating Cane Hill, one of the oldest communities in the region.
Last fall, a nonprofit was launched to restore and revitalize the small yet significant town west of Fayetteville. We revisit to check the progress. This fall, the University of Arkansas will offer its first start-to-finish, online bachelor's degree program – a Bachelor of Science in Business Administration.
Ahead on this edition of Ozarks, how the Children's House in Springdale is trying to help some of the most neglected and abused children in two northwest Arkansas counties. Plus, how a public forum tomorrow, also in Springdale, is designed to stimulate children's learning even when school is not in session.
Ahead on this edition of Weekend Ozarks, we learn the trick of the trade with a monster truck driver. Plus, if you had a magazine, how would you choose its name? Would it be literal, a hint as to what's expected inside, or something completely different?Here are our ten clips inspired by monster trucks...well, all monster---no trucks.
1. Bobby Pickett sings Monster Mash.
2. Boris Karloff and O.P. Heggie in an iconic (if often misquoted) scene from The Bride of Frankenstein.
3. Warren Zevon's song Werewolves of London.
4. Maria Ouspenskaya and Lon Chaney, Jr. in The Wolf Man.
5. Godzilla, the song by Blue Oyster Cult.
6. Godzilla, the fire-breathing monster.
7. Edgar Winter and the classic rock instrumental, Frankenstein.
8. King Kong's roar. You get credit if you guessed a lion's roar played backwards...because that's what it is.
9. Imagine Dragons' song Monster.
10. Bela Lugosi's Dracula doesn't lie...he just doesn't tell the whole truth.
Apologies to: Lon Chaney, Sr. (silent films are not good Sunday Montage fodder), the Creature From the Black Lagoon and Of Monsters and Men. Maybe next time.
1. Bobby Pickett sings Monster Mash.
2. Boris Karloff and O.P. Heggie in an iconic (if often misquoted) scene from The Bride of Frankenstein.
3. Warren Zevon's song Werewolves of London.
4. Maria Ouspenskaya and Lon Chaney, Jr. in The Wolf Man.
5. Godzilla, the song by Blue Oyster Cult.
6. Godzilla, the fire-breathing monster.
7. Edgar Winter and the classic rock instrumental, Frankenstein.
8. King Kong's roar. You get credit if you guessed a lion's roar played backwards...because that's what it is.
9. Imagine Dragons' song Monster.
10. Bela Lugosi's Dracula doesn't lie...he just doesn't tell the whole truth.
Apologies to: Lon Chaney, Sr. (silent films are not good Sunday Montage fodder), the Creature From the Black Lagoon and Of Monsters and Men. Maybe next time.
To Fort Smith this weekend. We get a look into the life of a monster truck driver and learn how they ready those cars for a show.
Today we listen to samples from "Half the City," the debut album from St. Paul and the Broken Bones. Latest Edition of Ozarks at Large
Tuesday, July 8, 2014
On this edition of Ozarks, how material seized by the police end up at auction. Also, the fate of undocumented young people who make it to Northwest Arkansas.
February numbers show that dollar amounts paid to crime victims in one county add up to nearly 25% of the total paid out in the state. We speak with the director of the Arkansas Crime Reparations Board.
Severe weather is always expected, no matter the season. And hundreds of thousands of volunteer storm spotters are in the field, trained by National Weather Service meteorologists to assist in hazardous weather monitoring. (Photo: SkyWarn workshop in Ozark, Franklin County)
Among many nonprofit events in the region this April will be Butterflies and Blooms benefitting Saving Grace, an organization that helps girls who have aged out of foster care.
"Saving Grace" by Point of Grace
Becca Martin Brown has more on The Addams Family's visit to the River Valley.
at end of show: "Look at Me Fly" by Stoney LaRue






