Ozarks At Large
Dawn McCarthy and Bonnie "Prince" Billy made a gorgeous album of duets when they released The Letting Go in 2006. Both children of the 1970s, they grew up hearing the close harmonies of the Everly Brothers on the radio. In What the Brothers Sang, just released on Drag City, the duo pays tribute to these early superstars of rock and pay homage to the great American songbook.
Link: The Making of What the Brothers Sang
Roby Brock from our content partner Talk Business Arkansas looks at the top legislative and business stories from the last seven days.
The pipeline, which will pump heavy crude oil mined from Canadian tar sands through Cushing, Oklahoma to Texas Gulf Coast refineries is providing hundreds of jobs for Oklahomans and sourcing steel pipe in Arkansas. Opponents claim the project is environmentally disastrous and only serves petrochemical industry interests.
(Photo courtesy of David Druding)
Dan Craft, special projects editor at NWA Newspapers tells us about a recent report by the Walton Family Foundation that looked at the quality of life in northwest Arkansas. His story in today's newspaper, looks at the amenities in the area, who uses them and what other recreation options area residents have on their wish lists.
Recently, the band Little Chief came to the Firmin-Garner Performance Studio for a conversation and performance. Their EP, “Somewhere Near the River,” is now available on iTunes.
Ahead on this edition of Ozarks: A look at the controversy surrounding a pipeline in Oklahoma, plus a conversation with the most successful coach in NCAA history, and a relaxing day of kite flying.
Ahead on this edition of Ozarks: A look at the controversy surrounding a pipeline in Oklahoma, plus a conversation with the most successful coach in NCAA history, and a relaxing day of kite flying.
The pipeline, which will pump heavy crude oil mined from Canadian tar sands through Cushing, Oklahoma to Texas Gulf Coast refineries is providing hundreds of jobs for Oklahomans and sourcing steel pipe in Arkansas. Opponents claim the project is environmentally disastrous and only serves petrochemical industry interests.
(Photo courtesy of David Druding)
Latest Edition of Ozarks at Large
Thursday, May 29, 2014
Ahead on this edition of Ozarks, a conversation from this year's Mozart in the Museum with the classical music trio Time For Three. Plus, 47 miles a day: that's how far, on average, a female hiker hiked to make it through the Appalachian Trail in fewer than 50 days. Hiker and author Jennifer Pharr Davis stops by the studio, and we get some tips on how to get into running.
Youth Bridge Executive Director Nancy Hairston tells us about the upcoming Starry, Starry Night fundraiser.
More information available at www.youthbridge.com
Ozarks at Large’s Katy Henriksen talks to Canadian rocker Spencer Krug from the band Moonface that is set to perform this Saturday at Fayetteville’s Smoke and Barrel Tavern.
More information about the performance is available at www.smokeandbarrel.com
Arkansas Lottery Commission hopes to save money with the approval of a revised contract with its largest vendor; a group of University of Arkansas international students help rebuild Joplin for a day; and more – on today’s Segment A.
“The Set Break” by Gil Melle
Today, we begin a series on a farm to school project taking place this summer in Fayetteville. Over the coming months, Ozarks at Large’s Christina Thomas will give us updates on a program that connects schools with local food producers with the aim of serving their fruits and vegetables in school cafeterias and teaching kids about where there food comes from.
Today, she provides us with a bit of background on farm to school.
Syrian journalist and activist, Omar al Muqdad has been covering the Syrian Revolution since it began in March 2011, part of the Arab Spring.
Because his life was at risk, the U.S. State Department granted him political asylum. He recently settled in Fayetteville. Jacqueline Froelich met with the self-described media smuggler to bring us his story.
“Ian McKay was Right” by El Ten Eleven