Ozarks At Large
In this morning's Week in Review, we look at the stories we've covered concerning the partial shutdown of the federal government that started as the calendar flipped over to October.
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There is music from Mongolia, Nashville, Texas and Arkansas all over the place this weekend.
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Fourth District Congressman Tom Cotton says that he thnks the government shutdown will negatively impact national security, while Senator Mark Pryor gives his account of yesterday's shooting near the U.S. Capitol in Washington, D.C.. Arkansans for Compassionate Care get their proposed ballot title approved by the state attorney general. And John Brown University gets a sizable contribution toward the school's forthcoming nursing program.
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Web Exclusive: Pictures of the new 21c Exhibit
Latest Edition of Ozarks at Large
Wednesday, March 12, 2014
Ahead on this edition of Ozarks, an examination of primary races. Plus, researchers monitor the environmental impact of a hog farm on the Buffalo River Watershed.
Organizers say a film screening Wednesday on the UALR campus could be the start of an initiative to empower women in the state through educational opportunities.
Wildlife recordist Joe Neal shares this audio postcard of sharing a lake with anglers and a flock of seagulls. Neal is coauthor of Arkansas Birds, published by the University of Arkansas Press. His latest book In the Province of Birds, a Western Arkansas Memoir, is published by Half-Acre Press.
Lizzy Lehman, an Austin-based musician who participated in this weekend's Trail Mix Concert Tour, will open for Gregory Alan Isakov Wednesday at George's Majestic Lounge in Fayetteville.
Partnerships, whether new or evolved, were in the news this past week. As such, Timothy Dennis tells us about some of those partnerships in this week's Week in Review.
Bucky Ball, a geometric, LED sculpture by artist Leo Villareal, is the first temporary outdoor installation for the museum. The work gets its name from Buckminster Fuller, an architect who designed geodesic domes. Ozarks at Large’s Christina Thomas spoke with Villareal about this and other works.