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Ozarks At Large
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A producer and actor discuss the work that goes into Leo, which can be seen on stage at the Walton Arts Center Friday night.
Grant Tennille, the executive director of the Arkansas Economic Development Commission, and the creator of the LA*ish Documentary will on the University of Arkansas campus this week.
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The Arkansas House yesterday defeated a bill that would continue funding for the state's Private Option Medicaid expansion, a recently established organization is encouraging more political participation for women in Arkansas, Fayetteville moves forward with its partnered purchase of land on Mt. Kessler, and Ft. Smith aldermen oppose seeking fines from Whirlpool.
The issue of net neutrality is back in the news and we ask our tech ambassador for some of the basics.
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Latest Edition of Ozarks at Large
Friday, May 9, 2014
Ahead on this edition of Ozarks, Michael Tilley talks about a new owner for some long-abandoned real estate in Fort Smith, and the official announcement of a Whole Foods in Fayetteville. Plus, Cletus Got Shot gets ready to perform at a few festivals in the next month.
That's the question that Fabio Mendez, an economics professor at the University of Arkansas, sought to answer with his latest paper.
Depending on your musical taste, Becca Martin Brown suggests watching Murder By Death or The Pop Ups.
The saugeye, a hybridization of the walleye and sauger, is being introduced to the smallest lakes in Bella Vista.
Web Exclusive: Three More Questions About Fish
According to a study by the Arkansas Pharmacists Association, the number of adults getting immunized is up 300% from last year.
"True collaboration is that willingness to extend yourself to a new place but in a way that does not feel like anything has been given up," says singer-songwriter Tift Merritt. While collaboration between musicians of different genres is nothing new, it's difficult to do well. The album "Night," a collaboration between Merritt and classical pianist Simone Dinnerstein, does just that. Reviewer Katy Henriksen explores the collaboration in which classical composers like Schubert and Purcell connect seamlessly to Billie Holiday's "Don't Explain," the folk traditional "Wayfaring Stranger," a Leonard Cohen inspired instrumental and much more to create a singular song cycle that could only come from these two musicians.