Roby Brock from Talk Business Arkansas discusses an effort to expand broadband in Arkansas public schools and more in his weekly business news recap.Ozarks At Large
Roby Brock from Talk Business Arkansas discusses an effort to expand broadband in Arkansas public schools and more in his weekly business news recap.
Electric distribution wires and poles are vulnerable to failure from severe ice and wind storms, as witnessed here in Arkansas on many occasions. So is it time to go underground? Jacqueline Froelich talks with Frank Burggraf who delivers the case for “undergrounding.”Springdale street crews battle ice on streets that refreezes overnight, while the National Weather Service predicts warmer weather for the rest of the week. Nabholz Construction reorganizes its corporate leadership, and the Razorback volleyball team ends its season in the first round of NCAA tournament play.
Ahead on this edition of Weekend Ozarks, how law enforcement officers deal with intoxicated drivers during one of the busiest times of year. Plus, we revisit the site of a sizable music festival that was held outside of Eureka Springs four decades ago.
From Thanksgiving to Super Bowl Sunday, area police officers are on high alert for those that might be driving while intoxicated. We talk to officials about why Fayetteville has more DWI's than any other Arkansas city.
Four years after Woodstock, a circle of friends living in Eureka Springs decide to stage an Ozark heritage family folk festival on a remote and rugged Carroll County wilderness. But instead of parents with children, an estimated hundred fifty thousand hippies showed up. Jacqueline Froelich takes us to visit the site, on the fortieth anniversary. (Photo: April and Dustin Griffith, landholders, hold up an artifact found on a festival campsite.)
Ahead on this snow day edition of Ozarks at Large, our weekly conversation with Michael Tilley of The City Wire; plus the violent explusion of an African American settlement in southeastern Crawford County comes to light, ninety years after the fact.
Ninety years ago, an African American colony which had settled in Catcher in southeastern Crawford County was driven out by a throng of angry whites. The truth behind the violent expulsion is finally coming to light.
Michael Tilley of The City Wire says that a meeting will take place next week to best decide how to move forward on the water park project for Fort Smith and Sebastian County.
Ahead on Ozarks, an artists' cooperative enters its 12th year in the community, and a group of high school students learn about marketing inside one local retailer, though the field trip was altered a bit as residents made purchases in anticipation of winter weather. Plus, the first group of Arkansas Teacher Corps fellows already recognizes the difference they've made in rural and low income school districts just a few months into their first semester.
Latest Edition of Ozarks at Large
Sunday, March 16, 2014
Ahead on this edition of Weekend Ozarks, a complaint has been filed against a charter school corporation for teaching creationism in Arkansas. Plus, one local couple has made an investment in the futures of underrepresented college students, and we take a look at what's in a name in Benton County.
The band Charliehorse will headline the Fayetteville Roots Festival after-party at Kingfish Saturday night.
Arkansas has adopted a new educational standard called Common Core. Advocates say it will help students succeed at entering college or a vocation. Critics claim it’s a national standard pushed by special interests and therefore unconstitutional.
“Trampa” by Los Angeles Guitar Quartet
Michael Tilley of www.thecitywire.com talks about the future of Mitsubishi and Whirlpool operations in Fort Smith, and the new XNA terminal.
Beaver Water District and the Illinois River Watershed Partnership recently received two grants totaling $350,000 to build 60 new rain gardens in the two watersheds over the next three years.
How about an Art Amiss Fashion Show and some music by Boom! Kinetic and Band of Heathens?
“Jumpin’ In” by Dave Holland
